What begins as an attempt at singular contemplation of each work, soon becomes corrupted into split and fragmented readings of the works on display.

As momentary forms become distorted through frantic and personal practice, the viewer is left with a testament to the difficulties of our existence with influences as diverse as Cézanne, Arte Povera, process painting and Pollock.

There is an unselfconscious language concerning Cunha’s work, which he uses during periods he contemplates or discusses his work, the relationship created between words and his chosen passion are moderately illuminated to the viewer.

Below are a sample of works classed as paintings.