The world of fine art has undoubtedly evolved over time, with a marked difference between artists now and in the 20th century. This essay will explore some of the defining characteristics of both eras, highlighting the key differences in styles, techniques, and themes.

One of the most significant differences between fine art artists now and in the 20th, century is the use of technology. With the advent of digital tools and software, artists today have access to a range of new mediums and techniques that were unavailable to their predecessors. This has led to an explosion of creativity and experimentation, with many artists incorporating digital elements into their work.

For example, the contemporary artist Olafur Eliasson uses digital technology to create immersive installations that blur the boundaries between art and science. His work often involves light, water, and other natural elements, which he manipulates using computer software to create stunning visual effects. In contrast, artists in the 20th century relied on more traditional mediums like paint, charcoal, and sculpture.

Another key difference between fine art artists now and in the 20th, century is the way in which they approach the concept of beauty. In the past, beauty was often seen as an essential aspect of art, with artists striving to create works that were aesthetically pleasing and harmonious. However, contemporary artists are more interested in exploring the darker side of human experience, often using their work to challenge societal norms and conventions.

One example of this is the artist Damien Hirst, who gained notoriety in the 1990s for his controversial installations featuring dead animals preserved in formaldehyde. Hirst’s work is often seen as a commentary on the fragility of life and the futility of human existence, and his use of shock tactics and unconventional materials has divided critics and audiences alike.

In contrast, artists in the 20th century tended to focus more on abstract concepts and formal qualities, rather than social commentary or political statements. For example, Piet Mondrian’s iconic compositions of grids and primary colours are often seen as a celebration of order and harmony, rather than a critique of the world around us.

Another key difference between fine art artists now and in the 20th, century is the way in which they engage with their audience. Contemporary artists are much more likely to use interactive installations and performances to create immersive experiences that involve the viewer directly in the artwork.

One example of this is the artist Marina Abramovic, whose work often involves prolonged periods of physical endurance and intimate interactions with the audience. Her 2010 performance piece, ‘The Artist is Present,’ involved sitting silently in a gallery for 736 hours, with visitors invited to sit opposite her and engage in a silent exchange of energy.

In contrast, artists in the 20th century tended to be more concerned with creating works that could be appreciated from a distance, rather than up close and personal. For example, Jackson Pollock’s drip paintings are best viewed from a distance, where the intricate patterns and rhythms can be fully appreciated.

Finally, the role of the artist has shifted significantly between the 20th century and the present day. In the past, artists were often seen as solitary figures, working in isolation to create works of timeless beauty and value. However, contemporary artists are more likely to work collaboratively, often engaging with other artists, scientists, and members of the public to create works that are more socially engaged and relevant to contemporary issues. One example of this is the artist collective Superflex, which uses a range of media and techniques to explore issues of social justice and environmental sustainability. Their work often involves collaborations with local communities, and they are committed to creating art that has a positive impact on society as a whole.

 

In conclusion, the world of fine art has undergone significant changes over the past century, with a marked difference between artists now and in the 20th century. While artists in the past were more concerned with creating works of timeless beauty and harmony, contemporary artists are more likely to use their work as a tool for social commentary and political critique.

They are also more likely to work collaboratively and use technology to create immersive experiences that engage the viewer directly in the artwork. These changes reflect a broader shift towards a more socially engaged and politically aware form of art, which seeks to address the pressing issues of our time.